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"This Camera Kills Fascists"
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"1739960252"
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"The book examines the ways in which filmmakers in France and Japan used documentary film to critique truth-telling devices and challenge dominant ideologies. The authors argue that these films were not just about leftist political issues, but also about the style and aesthetic of the films themselves. The book is a comprehensive study of the intersection of anti-fascism and avant-garde documentary filmmaking in France and Japan during the 1960s, and it provides a nuanced understanding of the complex relationships between politics, aesthetics, and ideology."
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"content": "nostr:nprofile1qy3hwumn8ghj7un9d3shjtt5v4ehgmn9wshxkwrn9ekxz7t9wgejumn9waesqgxpnjlquxjlqwutc37aq6m2z7l5qe5fpsr7zpqrpx8nqn4c67dcpcm8r6qv\nhttps://images.jacobinmag.com/wp-content/uploads/2025/02/19082946/GettyImages-947976186-900x631.jpg\nLeftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film into a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, [\u0026hellip;]\nhttps://jacobin.com/2025/02/film-anti-fascism-documentary-1960s/",
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