James Gleick on Nostr: When he’s not busy being one of our best fiction writers, Ted Chiang has become our ...
When he’s not busy being one of our best fiction writers, Ted Chiang has become our best critic of generative AI:
“The programmer Simon Willison has described the training for large language models as ‘money laundering for copyrighted data,’ which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re copying.”
https://www.newyorker.com/culture/the-weekend-essay/why-ai-isnt-going-to-make-artPublished at
2024-08-31 20:32:50Event JSON
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"content": "When he’s not busy being one of our best fiction writers, Ted Chiang has become our best critic of generative AI:\n\n“The programmer Simon Willison has described the training for large language models as ‘money laundering for copyrighted data,’ which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re copying.”\n\nhttps://www.newyorker.com/culture/the-weekend-essay/why-ai-isnt-going-to-make-art",
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