Event JSON
{
"id": "8078b326c799ccbb6c9111db57659bfb00ee2d451de46a9e0d3ddb30b39b2503",
"pubkey": "c19cbe0e1a5f03b8bc47dd06b6a17bf4066890c07e10403098f304eb8d79b80e",
"created_at": 1741792601,
"kind": 1,
"tags": [
[
"r",
"https://jacobin.com/2025/03/bong-mickey-17-film-review/"
],
[
"subject",
"Bong Joon-ho’s \u003ccite\u003eMickey 17\u003c/cite\u003e Misfires"
],
[
"published_at",
"1741777902"
],
[
"image",
"https://images.jacobinmag.com/wp-content/uploads/2025/03/12100212/07mickey17-review-print-jmhl-videoSixteenByNine3000-v2-900x650.jpg"
],
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"url https://images.jacobinmag.com/wp-content/uploads/2025/03/12100212/07mickey17-review-print-jmhl-videoSixteenByNine3000-v2-900x650.jpg"
],
[
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],
[
"summary",
"The film follows the story of Mickey, a lowly worker who is unwittingly assigned to be an 'Expendable', a role that involves getting killed and 'reprinted' over and over until there's a system error. Despite the promising premise, the film drags along at a glacial pace and fails to deliver on its comedic potential. The film's themes of exploitation and class struggle are timely and relevant, but the execution falls flat."
]
],
"content": "nostr:nprofile1qy3hwumn8ghj7un9d3shjtt5v4ehgmn9wshxkwrn9ekxz7t9wgejumn9waesqgxpnjlquxjlqwutc37aq6m2z7l5qe5fpsr7zpqrpx8nqn4c67dcpcm8r6qv\nhttps://images.jacobinmag.com/wp-content/uploads/2025/03/12100212/07mickey17-review-print-jmhl-videoSixteenByNine3000-v2-900x650.jpg\nNobody could be sadder than I am to report that Mickey 17 is a disappointment. I’ve been waiting eagerly for many months to see this latest effort by writer-director Bong Joon-ho (Parasite, Snowpiercer, The Host). I raced out to see it as soon as it opened in theaters, hitting one of its first shows at [\u0026hellip;]\nhttps://jacobin.com/2025/03/bong-mickey-17-film-review/",
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}