Event JSON
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"https://www.theatlantic.com/culture/archive/2025/05/christina-ramberg-retrospective-art-review/682968/?utm_source=feed"
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[
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"The Artist Who Captured the Contradictions of Femininity"
],
[
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"1748606400"
],
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[
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"The article discusses Christina Ramberg's paintings that fixate on the artifice of the female body, particularly in the context of the 1970s and 1980s. Her work is characterized by its use of familiar visual elements, such as advertisements and comic panels, which she subverts to explore the tensions between femininity and individuality. The article also delves into Ramberg's personal life, including her experiences as a mother and her struggles with early-onset dementia."
]
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"content": "nostr:nprofile1qy3hwumn8ghj7un9d3shjtt5v4ehgmn9wshxkwrn9ekxz7t9wgejumn9waesqgxjywy35vvv398y6znype44smghxr48f609m5vukxr8m8852ew5fuq6x9ve\nhttps://cdn.theatlantic.com/thumbor/a2yO8G3Htsp-JQ8Sp3z3OXOoas0=/665x531/media/img/posts/2025/05/2025_02_07_AA_064/original.jpg\nIn her too-short career, the painter Christina Ramberg studied the many contortions that being a woman can demand.\nhttps://www.theatlantic.com/culture/archive/2025/05/christina-ramberg-retrospective-art-review/682968/?utm_source=feed",
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