Event JSON
{
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"pubkey": "d223891a318c894e4d0a640e6b586d1730ea74e9e5dd19cb1867d9cf4565d44f",
"created_at": 1734621221,
"kind": 1,
"tags": [
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"r",
"https://www.theatlantic.com/books/archive/2024/12/woo-woo-ella-baxter-novel-review/681083/?utm_source=feed"
],
[
"subject",
"Can You Be an ‘Art Monster’ and a Good Person?"
],
[
"published_at",
"1734620580"
],
[
"image",
"https://cdn.theatlantic.com/thumbor/FGqjiwqfHTNXs3kMRGOJySxfZL4=/0x170:7987x4330/1200x625/media/img/mt/2024/12/woowoo_final_bground/original.jpg"
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"url https://cdn.theatlantic.com/thumbor/FGqjiwqfHTNXs3kMRGOJySxfZL4=/0x170:7987x4330/1200x625/media/img/mt/2024/12/woowoo_final_bground/original.jpg"
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[
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[
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"The article discusses how the term 'art monster' has been reinterpreted by women artists, who see it as a symbol of creative genius and a rejection of domestic responsibilities. The novel 'Woo Woo' follows the protagonist Sabine, a conceptual artist who embodies the art monster archetype, as she navigates the pressures of promoting her work and dealing with the consequences of her selfish behavior. The article argues that the novel critiques the notion that women artists must be selfish and neglectful of their personal lives in order to succeed, and instead presents a more nuanced portrayal of the challenges faced by women in the art world."
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],
"content": "nostr:nprofile1qyd8wumn8ghj7ctjw35kxmr9wvhxcctev4erxtnwv4mhxqpq6g3cjx333jy5ung2vs8xkkrdzucw5a8fuhw3njccvlvu73t9638st0xjf5\nhttps://cdn.theatlantic.com/thumbor/FGqjiwqfHTNXs3kMRGOJySxfZL4=/0x170:7987x4330/1200x625/media/img/mt/2024/12/woowoo_final_bground/original.jpg\nIn Ella Baxter’s new novel, being a creative genius is no excuse for bad behavior.\nhttps://www.theatlantic.com/books/archive/2024/12/woo-woo-ella-baxter-novel-review/681083/?utm_source=feed",
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}