Event JSON
{
"id": "58d403fcc345869d7f94773d476c3b2b8f90c46dc4e24f1bc560292fdc365188",
"pubkey": "035e1e813ea5dc61dba226cdd5610795c70d6969bd05fc5b0f14497150348eca",
"created_at": 1743350681,
"kind": 1,
"tags": [
[
"t",
"lespritcritique"
],
[
"t",
"theatre"
],
[
"imeta",
"url https://static.mediapart.social/media_attachments/files/114/252/230/222/989/202/original/b4ed6165899d11d8.jpg",
"m image/jpeg",
"dim 661x441",
"blurhash U98g:B%h0LE1tmXTnMnh9aRhsRniIAnNb^WY"
],
[
"proxy",
"https://mediapart.social/users/mediapart/statuses/114252230293518218",
"activitypub"
]
],
"content": "[#LEspritCritique] L’esprit critique «théâtre»: représenter les violences sexuelles sur scène \n\nNotre podcast culturel s’intéresse à la représentation des violences sexuelles au #théâtre à travers «Black Lights» de Mathilde Monnier, «Requin Velours» signé Gaëlle Axelbrun et «Seule comme Maria» par Marilou Aussilloux. \n\n› https://www.mediapart.fr/journal/culture-et-idees/300325/l-esprit-critique-theatre-representer-les-violences-sexuelles-sur-scene?at_medium=rs-cm\u0026at_campaign=mastodon\u0026at_account=mediapart\n\nhttps://static.mediapart.social/media_attachments/files/114/252/230/222/989/202/original/b4ed6165899d11d8.jpg",
"sig": "1df3217d042b29c3466a878c5174b65c70c219932bb150fb4092de67ffe06baaf173f2e5aec9d9757c6d9279c3b5fb27f6448a113536c4cfefe79c6b6701c024"
}