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[
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"Pavement Made Music About Selling Out Without Selling Out"
],
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"1747820322"
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"https://images.jacobinmag.com/wp-content/uploads/2025/05/21091031/GettyImages-1632197079-900x632.jpg"
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"The documentary, titled Pavements, recreates the spirit of the band and their music, showcasing their struggles with commercial pressures and their commitment to artistic integrity. The film features archival footage, interviews with the band members, and reenactments of their music and performances. The article highlights the band's unique sound and style, as well as their influence on the music industry."
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],
"content": "nostr:nprofile1qy3hwumn8ghj7un9d3shjtt5v4ehgmn9wshxkwrn9ekxz7t9wgejumn9waesqgxpnjlquxjlqwutc37aq6m2z7l5qe5fpsr7zpqrpx8nqn4c67dcpcm8r6qv\nhttps://images.jacobinmag.com/wp-content/uploads/2025/05/21091031/GettyImages-1632197079-900x632.jpg\nThe question of “selling out” was a defining concern of the independent music scene during the 1990s. Some bands who had paid their dues, like R.E.M. and Sonic Youth, saw the act of signing to a major label as a path forward to sustain their ambitions. Younger and less experienced acts, like Mudhoney and Nirvana, [\u0026hellip;]\nhttps://jacobin.com/2025/05/pavement-documentary-perry-selling-out/",
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