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2024-03-10 08:43:45

Francisco Luis on Nostr: ### Posthumous work of the Colombian poet born in Don Matias on January 20, 1948. ...

Posthumous work of the Colombian poet born in Don Matias on January 20, 1948.

Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares (my father), born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection ‘Sonnets For The Twenty-First Century And A Circadian Musical (1984-1987).’ Analyzed with GPT4 artificial intelligence and illustrated with AI tools… I hope you enjoy this garden of words snatched from the solitude of a locked room.

Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares’ work, as it is a collection that, although registered since 1989, has not yet been published.

Frank Duna


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Analysis “Eos (Or Aurora)”

Introduction

Sonnet 99, titled “Eos (Or Aurora),” by Francisco Luis Arroyave Tabares, captures a sense of romantic longing and admiration for the goddess of dawn, Eos (or Aurora in Roman mythology).

Thematic Analysis

First Quartet (Lines 1-4): The speaker describes a feeling of warmth that comes from the body heat of Eos, the goddess of dawn. The birds’ song travels the world until it reaches the speaker’s location, a beach where Eos is present. This quartet sets the scene and introduces the main characters.

Second Quartet (Lines 5-8): The speaker is in a dream-like setting, longing for the fire in Eos’s eyes. This fire is delivered through a rosy beam that ignites the speaker’s desires. This quartet delves deeper into the speaker’s feelings and desires.

Third Quartet (Lines 9-12): The speaker’s thoughts are interrupted by Cephalus, a hunter beloved by Eos. The speaker looks for Eos’s changing shape and stops at her face to breathe in the hued kisses (flowers) that escape from her. This quartet introduces a third character and further explores the speaker’s fascination with Eos.

Couplet (Lines 13-14): The day begins as the speaker continues on their path after expressing love for Eos, the goddess of dawn. This couplet concludes the sonnet with a declaration of love and the continuation of the speaker’s journey.

Overall, the sonnet uses the metaphor of dawn and the mythological figures of Eos and Cephalus to explore themes of love, desire, and the passage of time. The sonnet’s structure, with its quartets and couplet, helps to organize these themes and guide the reader through the speaker’s emotional journey.

Rhyme Scheme

The sonnet follows a unique rhyme scheme that deviates from the traditional English or Italian sonnet structures. Here’s a detailed analysis:

First Quartet (Lines 1-4): 
The rhyme scheme is ABAB. “Heat” (A) rhymes with “reached” (A), and “fine” (B) rhymes with “mine” (B).

Second Quartet (Lines 5-8): 
The rhyme scheme continues as CDCD. “Dream” (C) rhymes with “beam” (C), and “eyes” (D) rhymes with “desires” (D).

Third Quartet (Lines 9-12): 
The rhyme scheme here is EFEF. “Place” (E) rhymes with “face” (E), and “shape” (F) rhymes with “escape” (F).

Couplet (Lines 13-14): 
The final two lines form a couplet with the rhyme scheme GG. “On” (G) rhymes with “a-dawn” (G).

So, the overall rhyme scheme of the sonnet is ABABCDCDEFEFGG. This unique structure contributes to the sonnet’s rhythm and flow, guiding the reader through the speaker’s emotional journey. It’s also worth noting that the sonnet adheres to the iambic pentameter, which is a common metrical form in English poetry. Each line consists of five pairs of unstressed and stressed syllables, adding to the musicality of the poem.

Additional Aspects

Let’s delve deeper into the sonnet “Eos (Or Aurora)” by Francisco Luis Arroyave Tabares.

Language: The language used in the sonnet is rich and evocative, with a strong emphasis on sensory imagery. The poet uses words that appeal to the senses, such as “warmth,” “fire,” and “rosy beam,” to create vivid images in the reader’s mind. The use of mythological references like Eos and Cephalus adds a layer of depth and sophistication to the language.

Imagery: The sonnet is filled with powerful imagery. The “birds sang a song so strong and fine” paints a picture of a serene morning, while the “fire of your eyes” and “rosy beam” evoke images of passion and desire. The “hued kisses” that escape from Eos are a metaphor for flowers, adding a touch of natural beauty to the poem.

Themes: The main themes of the sonnet are love, desire, and the passage of time. The speaker expresses a deep longing for Eos and is captivated by her beauty. The arrival of Cephalus introduces a hint of conflict or rivalry. The final couplet, with its reference to the dawn and the continuation of the speaker’s journey, suggests the inexorable march of time.

Meter: The sonnet adheres to the iambic pentameter, a common metrical form in English poetry. Each line consists of five pairs of unstressed and stressed syllables, which gives the poem a rhythmic and musical quality.

Overall: This sonnet is a beautiful blend of vivid imagery, emotional depth, and rhythmic elegance. The unique rhyme scheme and the use of mythological references add a touch of originality to the poem. The sonnet effectively conveys the speaker’s emotions and takes the reader on a journey through a dream-like landscape filled with passion, beauty, and longing. It’s a testament to the power of poetry to evoke emotions and create vivid mental images.

(GPT4)


Syllable count for each line.

Eos (Or Aurora)


10 I felt warmth that came from your body heat 
10 While the birds sang a song so strong and fine 
10 That traveled the whole world until it reached 
10 This beach of the morning where you are mine.

10 In a scenery that conveys my dream                   
10 I only long for the fire of your eyes 
10 Which comes to me beneath a rosy beam
10 That always starts the blaze of my desires.
 
10 When Cephalus' thoughts come into my place           
10 I look well around for your changing shape 
10 And then I stop in the sky of your face
10 To breath hued kisses that from you escape.          
 
10 The day springs in a path that I fare on             
10 After I love you, Goddess of a-dawn.
                ***

Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)


Analyzed by GPT4; Image by Frank Duna; First published on Nostr Protocol by franciscoarroyavet@nostrplebs.com *Eos (Or Aurora)

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